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The Store Room Presents 2009





The Store Room is very proud to present Daniel Schlusser’s production of

Life is a Dream

Twenty-one years ago, after receiving a dire astrological prediction, the King imprisoned his newborn son in a mountain cave. Now, facing a crisis of succession, the King releases his son and orders the court to convince the young man that his incarceration was all a dream.

With this radical treatment of a classic fairy-tale the audience have an intensely voyeuristic experience of brute survival, the fragile interconnections between siblings, the deepest need for mothering and the dark struggle for love and power.

“I thought it remarkable and beautiful theatre.” Alison Croggon, Theatrenotes

Daniel Schlusser has achieved cult status with his work at VCAM over the last three years, redefining his own style to create a radical theatrical language with productions of A Dollshouse, Life is a Dream and Peer Gynt. This production of Life is a Dream is the first time that Schlusser’s distinctive and exciting new approach will be presented to the wider public.

Life is a Dream: adapted from the play by Pedro Calderón de la Barca.
Translated by Beatrix Christian.
Director Daniel Schlusser.
Designer Marg Horwell.
Lighting Designer Kimberly Kwa.
Special Make-Up Effects Dominique Noelle Mathisen.
Composer Darrin Verhagen.
Producer Sarah Ernst.

Performers:   George Banders, Brendan Barnett, Johnny Carr, Andrew Dunn, Julia Grace, Sophie Mathisen, Vanessa Moltzen, Sarah Ogden and Josh Price.

Season Dates:

Previews
: Wednesday 18 & Thursday 19 November 8pm

Season: Friday 20 – Sunday 29 November

Tuesday – Saturday at 8pm, Sunday at 6pm

 

Tickets:  Tickets: $30 full, $20 concession, $15 previews.

Bookings:     www.easytix.com.au or  +61 3 9639 0096

 

image © jeff busby

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The Store Room presents Attract/Repel by The Melbourne Town Players, a performance-interrogation into self and the other, by Ming-Zhu Hii.

Attract/Repel is a raw, beautiful and idiosyncratic investigation into racial identification, discrimination, and the darkness and light inherent in Australia's many-cultured society. It takes an unflinching look beneath the surface at who we are, how we behave, and why we are still being racist.

In collaboration with four of the country’s most exciting actor/theatre makers, Ming-Zhu Hii goes beyond the pale, averts the politically-correct, and asks the questions we’ve all been too scared of for far too long.

Attract/Repel is a remarkably rich and unmissable new work from The Melbourne Town Players, creators of the critically acclaimed Sandwiches.

This is theatre at its most courageous.

Attract/Repel is presented as part of the 2009 Melbourne Fringe Festival

With a cast including
Jing-Xuan Chan, Fanny Hanusin, Georgina Naidu, and Terry Yeboah.

Music by experimental jazz guitarist
Yusuke Akai.

Sound design by
Russell Goldsmith.

Lighting design (inspired by Dan Flavin) by
Damien McLean
with lighting concept support by
Rachel Burke.

Concept and direction by
Ming-Zhu Hii.

Producers
Nicholas Coghlan and Shalini Nair.

Development Supported by
Full Tilt Creative Development

Previews
17 & 18 September 2009
Season
19 September-10 October 2009
Tuesday-Sunday at 7pm
(approx 60 min. running time)
Full $30 / Concession $20 /
Group (8+) $20

Bookings
www.melbournefringe.com.au
(03) 9660 9666

Group bookings available now! Email us here to organise your group bookings directly through us.

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Production cancelled
Lucy Freeman in association with 9minds Theatre Company presents…
No Man’s Island
by Ross Mueller

Directed by Lucy Freeman
Performed by Simon King and Angus Sampson

No Man’s Island is a satre-esque introspective drama about two men locked in a prison cell with no chance of release. They busy themselves by recreating a football match and with banal, repetitive conversation about the events that mark their lives. What unfolds is an emotional power struggle that deals with themes of guilt, redemption, insanity, punishment, responsibility and friendship. No Man’s Island premiered at La Mama in January 1997 (director Peter Houghton, featuring Aiden Fennessy and John Francis Howard) followed by a return season at La Mama in October 1997 for the Melbourne International Arts Festival. In 2007 Ross Mueller re-worked the play for its American premiere directed by Kali Quinn for GUTWorks theatre and multi-media company at New York City’s cutting-edge off Broadway theatre, The HERE performance space. Lucy Freeman in association with 9minds Theatre Company will present the 2007 version of the play at The Store Room with Angus Sampson as Rob and Simon King as Tim. Design team Peter Mumford, Lucy Birkinshaw and Justin Batchelor will create a non-naturalistic total theatre experience juxtaposing the foreboding aural and visual reminders that the men are trapped, with an intricate light and soundscape to punctuate the remembered scenes in an Australian backyard and a rainy day on an outback farm.
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Season already closed:


a Lucy Freeman production

A Narrow Time for Angels
by Cerise de Gelder

Featuring: Georgina Naidu, Marcella Russo and Hayley Butcher

Season Dates:
(Opening)
Tuesday 7th July – Sunday 19th July
Tue-Sat 8pm, Sun 6pm
No show Mondays or Tuesday 14

Ticket Prices:
Full $23 / Conc $18 / Group (8+) $18

Maggie (Marcella Russo) breaks into a morgue at night armed with a knife and a torch. Among the body drawers and trollies carrying bodies covered in sheets, she finds the body of ex- sex worker, Bliss, Maggie’s now dead ex-lover. As Maggie approaches the body, Bliss (Georgina Naidu) sits upright and admits that her sixteen counts of infidelity (if you count the hand-job) with a high ranking politician, were an attempt at blackmail, an act of love to get Maggie out of debt. Sam (Margot Knight), the reliable, lonely morgue stalwart employee who is working overtime, bursts in. In order to convince Sam not to call the police, Maggie recounts the series of events that lead to this moment…
The themes of death, gambling, fate, the supernatural and destiny abound. The set will be an expressionistic feast of opportunities (such as props/costume stashed in body drawers to be used in the vignettes) and in a faux-noir atmosphere, the suspense and thriller aspects will be interspersed with heightened theatrical re-enactments of humour frivolity and high camp. Yet in this non-naturalistic environment, the characters will be approached from a standpoint of realism - and their emotional responses will be quite natural, ensuring that the themes of love, connection and communication that sit quietly under all the humour and madness are realised with integrity and warmth.
“Lucy Freeman’s direction is atmospheric. She ably blends the theatrical with the naturalistic, creating a work that grabs you attention and sneaks up on you emotionally” aussietheatre.com 2008

Producer: Harry Paternoster
Director: Lucy Freeman
Designer: Naomi Wong
Design Consultant: Harry Paternoster
Lighting Designer: Paul Hawthorn

Lucy Freeman’s directorial projects include: Kill the Wolf (9minds 2007), Wild East (Red Stitch 2007), Cunversations (Theatreworks 2005), Brilliant Silence (La Mama 2005), The Perfume Garden (The Beckett, Malthouse, 2004), Teething Problems (Chapel off Chapel 2003), MOJO (INstorage, 2003), and Lonely Lenny Lower (La Mama 2002).

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a little death production of

STRANGERS IN BETWEEN (Melbourne Premiere)
by Tommy Murphy

From playwright Tommy Murphy (Holding the Man) and director Ben Packer (Mercury Fur), comes a surprising and tender play about accepting the kindness of strangers.

little death productions is excited to present the Melbourne premiere of one of the best new Australian plays of recent years, Strangers in Between.  This work by the rising star Sydney playwright Tommy Murphy forms part of the Store Room Theatre’s 2009 season.

Shane runs away from home and finds himself alone in Kings Cross, confused by a new world of sex and doing his own laundry.

Strangers in Between‘s original production in 2005 in Sydney launched playwright Tommy Murphy’s stellar rise. The Sydney Morning Herald called the play “bitter and sweet and replete with raw emotion … entertaining and forceful”.  SX News went a step further and claimed it to be “the best new Australian play since Michael Gow’s Away”Strangers in Between won the NSW Premier's Literary Award for Best Play in 2006 and Murphy went on to adapt Timothy Conigrave’s memoir Holding the Man for the stage.

little death productions is an independent theatre company that seeks to present work that is vital and visceral. The company presented Mercury Fur by Philip Ridley in 2007 at Theatreworks before touring the production to Sydney as part of Griffin Stablemates.  Critic for The Australian and theatre blogger Alison Croggon proclaimed the production as “quite simply, brilliant theatre”.

Director Ben Packer
Producer Laura Milke Garner
Set/Costume Micka Agosta
Lighting/Sound Ben Watts
Original Lighting Concept Govin Ruben

With Aljin AbellaBruce Kerr & Cameron Moore

Season Dates:
Preview
Wednesday 22nd July
Thursday 23rd July – Sunday 16th August
Tue-Sat 8pm, Sun 6pm

Ticket Prices:
Full $29 / Conc $24

Book -Easytix or 03 9639 0096

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Store Room Theatre and Alan Brough's production of

Chesapeake
by Lee Blessing (Australian Premiere)

Directed by Todd Macdonald
Performed by Alan Brough
Design by Luke Pither
Sound design by Kelly Ryall
Production Laura Milke-Garner
Stage Manangement Julie-Anne Wright

Arts. Politics. Dogs. A liberal performance artist and a conservative Southern US Senator engage in a bitter dispute over the public funding for the arts and life. A one man play that reaches beyond the petty differences that seemingly separate us all.
“If theatre and journalism, just for today, could conspire to keep audiences as uninformed as possible about Lee Blessing's brilliantly off-kilter fantasy... people might get a chance to duplicate our pleasure at discovering the hairpin philosophical joyride with so few expectations.Basically, we'd like to be able to say three words and leave it at that. Arts. Politics. Dogs. Anyone who finds each word intriguing on its own and the three irresistible together should be transported by the shaggy Blessing story....
...here [Blessing] is fearlessly out there, with hints of Kafka and comic books, the Old Testament and Lassie, not to mention the afterlife ... The text is rich with inspiration and mockery on both sides of the culture wars.
...Trust [Blessing] to make the destination as profound as the journey is entertaining."
Linda Winer, Newsday

Season Dates:
Preview
Tuesday 25th August and Wednesday 26th
27th 28th August - Sunday 13th September
Tue-Sat 8pm, Sun 6pm

Ticket Prices:
Full $27 / Conc $19 / Group (8+) $22.50 / Preview $17.50

Book -Easytix or 03 9639 0096
(NB $2.50 Booking fee applies to online and phone bookings)
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image © jeff busby